Romeo and Juilet, What was lost in the journey from the stage to the big screen.

        Romeo and Juliet is, arguably, one of the most popular gets of all time. Since the first slaying in the 16th century, audiences give birth been captivated by the accounting of two passionate pueriles fighting against the odds to consummate their day-dream of lifelong love as dissension between their families and stark circumstances threaten to rend their hopes to pieces and divest them of their lives. It is interesting that the play was first produced in The Globe Theatre, for the themes such as violence, love, sex, death, adolescent angst, be natural curiosities, and for some even obsessions, for the world judicial writ large, which is, app arently, the reason the play has enjoyed success among such a assort group of people for over four-hundred years. However, the reason that the play has been eulogized, glorified, and hold is not merely the result of the foregoing themes, its ability to appealingness to myriad generations, but for its aestheticism and complexity. It has been used as a instructive tool to co-opt students into the world of academic lecture art object improving reading skills and critical thinking abilities. Unfortunately, for some moderne readers, (or people coning a traditional theatrical performance) the language is archaic and recondite, precluding them from enjoying the play in all of its manifestations, relying instead on bits and pieces that they can understand to piece together meaning, their ignorance of linguistic and syntactical constructions vitiating their enjoyment of the play. Despite its pervasive presence in the high-schools, many teenagers feel isolated when reading it or seeing a traditional theatrical performance, and when acting themselves, young Romeos and Juliets need to have many lines explained to them in detail, the director acting as an exegete, beneficial so that the performance can be half-believ adapted. In many regards, Romeo and Juliet has become something that...

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To me, this strive is basically a rant against the motion picture industry - the fact that the author has used Romeo and Juliet to illustrate her invest is neither here nor there.

The most ironic aspects of this essay are that 1) the author accepts that a vast number of people are left befuddled and dazed by the olde-english-style of Shakespeare, and then attacks the film-makers for modify the language; and 2) the author uses such high-brow prose herself, that many readers may be just as confused by the end of the essay as if they had just read the great mans complete working!

Whilst I accept that glorification of violence can neer be a good thing, I also open up the prophecy of the downfall of the American youth a subtlety melodramatic. I believe most level-headed, reasonably-educated individuals will be able to take the film for what it is, whilst still enjoying the theatre production/book. I know of several people who have read (and are still reading) Tolkein because of the Lord of the Rings movie trilogy.

In a nutshell, I remember each to their own sums up my view on the matter... nobody forces one to watch a movie...

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